A Small Issue With Word Choice in Midnight in the Garden of Good and Evil

Reading Midnight in the Garden of Good and Evil by John Berendt took me back to Savannah. It was an enjoyable nonfiction book that was meant to read like a novel; I thought it read like excellent journalism.

The book was well edited, but I did spot one word choice issue I think would have been better off corrected. In a chapter about a cotillion for college-age Black women, Berendt writes, “The debutante, escorted by her father, walked to a small platform, mounted the steps, turned toward the audience, and curtsied.” The problem with that sentence is that the young women are officially escorted on this night by college-age men, not by their fathers. Two sentences later, Berendt writes, “Then her escort approached from the other side, took her hand, and led her down from the platform as the announcer read his name and those of his parents, his school, and his major.” Two more sentences in the same paragraph refer to the young men as the “escorts”: “One by one, the debutantes and their escorts were introduced in this manner.” and “The escorts were dressed in black tie, wing collar, tailcoats, and white gloves.”

It would have been better to say “accompanied by her father” in that first sentence I quoted, so as not to confuse the issue of who was doing the escorting.

Two Different Drivers in The Bullet That Missed

I just finished reading The Bullet That Missed, the third novel in the Thursday Murder Club series of mysteries, which features four clever detectives in their 70s: Elizabeth, Joyce, Ibrahim, and Ron. I found a mistake late in the book that really should have been spotted by one of the many editors and copy editors listed in the acknowledgements. It doesn’t affect the plot; it just makes you wonder if you read those sentences correctly.

On page 285 of the hardcover library edition from Pamela Dorman Books/Viking, it says that “Ibrahim drove Elizabeth and Stephen” to the big mansion where the climactic action is all set to go down. On the very next page, it says, “I think Bogdan should probably have been with her, but he had to drive Elizabeth and Stephen up here.”

Tony said he spotted that mistake when he read the book. We are far from the first people to have noticed the issue of the two different drivers of Elizabeth and her husband, Stephen; there’s a thread about it on Goodreads. And that thread says the error was corrected in later editions to make Ibrahim the driver of Ron and his girlfriend, Pauline.

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Tony and I returned from a brief vacation in Savannah, Georgia, on Sunday. My friend Jack recommended I read Midnight in the Garden of Good and Evil, a nonfiction book about a real-life murder in that beautiful city that is said to be so much better than the so-so movie directed by Clint Eastwood and starring Kevin Spacey and John Cusack. I plan to pick up the book from the library later today.

Jane Eyre and The Thursday Murder Club

My last two reads have both been wonderful: Charlotte Brontë’s Jane Eyre and Richard Osman’s The Thursday Murder Club, the first in a series of mysteries1 about four retirees living in a fancy nursing home who study police cold cases and solve real-life murders.

Like with Middlemarch, it took me some months to get through Jane Eyre, the Penguin Classics edition of which runs 489 footnoted pages. And I did enjoy reading the footnotes, which provided definitions or literary references I would never have understood/gotten otherwise.

Both books, though different in many respects, were strong on characterization. Jane was a principled, resilient, and charismatic girl/woman to root for. And the four main characters in TTMC were all believable as real people. As the series progresses2 and the bodies start piling up, believability will inevitably become harder to buy into, but whatever happens in the remaining novels in the series, I’m going to enjoy spending more time with Elizabeth, Joyce, Ibrahim, and Ron.

JE wasn't as difficult a read as Middlemarch, but it wasn't easy either. Brontë can give Mary Ann Evans Cross a run for her money when it comes to complex sentences. Here's one from page 133: "I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement: the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house — from the grey hollow filled with rayless cells, as it appeared to me — to that sky expanded before me, — a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight-dark in its fathomless depth and measureless distance: and for those trembling stars that followed her course, they made my heart tremble, my veins glow when I viewed them." That sentence is punctuated by eight commas, six semicolons, three em dashes, and two colons.

On Saturday, Tony and I watched the film adaptation of TTMC on Netflix. If we hadn't already enjoyed the book so much, we might have reacted more kindly to the movie, which wasn't bad but paled in comparison. A number of characters were left out or minimized, and the plot was truncated a good deal. The motive for one of the murders was changed, though the perpetrator remained the same. I think it would have been better as a TV series to allow for more or all of the twists and turns to play out.

1The fifth novel in the TMC series, The Impossible Fortune, comes out at the end of the month.

2Tony currently has The Last Devil to Die, the fourth book in the series, checked out from our local library.

The Most Difficult Novel I've Ever Read

I finished reading Middlemarch last week. I started reading this novel, written by Mary Ann Evans Cross under the pseudonym George Eliot, in early October.

It wasn’t just the book’s length (811 pages in the Signet Classic paperback edition published in 1981) that made it the most difficult novel to get through I’ve ever encountered. It was also the challenging vocabulary—like that found in the novel about the anthropology grad student. I should have read this book on Tony’s Kindle to make it easier to look up definitions.

And it was also the complexity of the author’s sentences, which had me frequently reading sentences and even whole paragraphs more than once. Here’s my nominee for the most difficult paragraph in Middlemarch. It takes up most of page 568:

Lydgate, relieved from anxiety about her, relapsed into what she inwardly called his moodiness—a name which to her covered his thoughtful preoccupation with other subjects than herself, as well as that uneasy look of the brow and distaste for all ordinary things as if they were mixed with bitter herbs, which really made a sort of weather-glass to his vexation and foreboding. These latter states of mind had one cause amongst others, which he had generously but mistakenly avoided mentioning to Rosamond lest it should affect her health and spirits. Between him and her indeed there was that total missing of each other’s mental track, which is too evidently possible even between persons who are continually thinking of each other. To Lydgate it seemed that he had been spending month after month in sacrificing more than half of his best intent and best power to his tenderness for Rosamond, bearing her little claims and interruptions without impatience and, above all, bearing without betrayal of bitterness to look through less and less of interfering illusion at the blank, unreflecting surface her mind presented to his ardour for the more impersonal ends of his profession and his scientific study, an ardour which he had fancied that the ideal wife must somehow worship as sublime, though not in the least knowing why. But his endurance was mingled with a self-discontent which, if we know how to be candid, we shall confess to make more than half our bitterness under grievances, wife or husband included. It always remains true that if we had been greater, circumstance would have been less strong against us. Lydgate was aware that his concessions to Rosamond were often little more than the lapse of slackening resolution, the creeping paralysis apt to seize an enthusiasm which is out of adjustment to a constant portion
of our lives. And on Lydgate’s enthusiasm there was constantly pressing not a simple weight of sorrow, but the biting presence of a petty, degrading care such as casts the blight of irony over all higher effort.

For my next novel, I think I’ll choose something light, maybe a P.D. James mystery. Tony and I are enjoying Dalgliesh, the latest TV series about James’s detective-poet, on Acorn.

Two Pies and a VFD

I made an Easy Vegan Pecan Pie for our Christmas dessert, and it was a big hit with our guests and us. The recipe, from the cleverly named website It Doesn’t Taste Like Chicken, was perfect: pecans, bourbon, vanilla, a hint of cinnamon, and loads of sugar, including brown sugar.

I deviated from the recipe only to use agave in place of the corn syrup (a substitution endorsed by the recipe’s creator, Sam Turnbull) and arrowroot in place of the corn starch, so I could avoid consuming products of the corn industrial complex.

For New Year’s, I made a Cranberry Chiffon Pie. It was somewhat disappointing but not at all bad.

My main gripe was that I could taste the pomegranate juice used in the recipe almost as much as the fresh cranberries, with the result that the pie tasted more like a Cranberry-Pomegranate Chiffon Pie to me. Maybe the recipe creator tried cranberry juice, but the result was too tart?

I had planned to buy or make some vegan whipped cream to decorate the top, but the vegan whipping creams I found contained either oats or fava beans, neither of which would be good for Tony.

I decided not to make the decorative Sugared Cranberries because I didn’t feel like buying sanding sugar for this one recipe. As it turned out, I needed to make an extra run to Sprouts to buy more cranberries because I burned the cranberry-pomegranate jam the first time I attempted it because I was trying to get ahead on other steps in the process at the same time and wasn’t paying enough attention to my jam.

I once again, for both pies, used a Wholly Wholesome gluten-free and dairy-free crust. Someday, I’ll try making my own GF and DF pie crust, but Tony and I are both pleased with this store-bought kind. And making the filling was a good deal of work in and of itself: First, you make that jam—the recipe actually calls it a “loose jam”—out of the cranberries, pomegranate juice, and sugar. Then you dissolve gelatin in water and cook egg yolks combined with milk (I used cashew milk), salt, and more sugar. Then you add the gelatin to the egg yolk mixture and then that combined mixture to the cranberry-pomegranate jam.

The most time-consuming part was making meringue, which I chose to do by hand for some reason. I’m pretty certain my meringue got to the called-for stiff peaks stage.

Finally, you add the meringue to the cranberry–egg yolk–gelatin mixture, put the completed filling in the prebaked pie shell, and chill the pie until the filling is set.

I made the pie on Dec. 29, the Sunday before New Year’s, because I had plenty of time that day and didn’t know whether I would the next two days. We polished it off on New Year’s Eve.

On New Year’s Day, I made my second attempt at Eggnog Vegan Frozen Dessert. I was pleased with the final result but dissatisfied with the texture of the base after it was cooked and after it was chilled, so it’s still not ready for my cookbook.

This time, I tried incorporating two vegan eggs (instead of just one) into the custard base, and I tried cooking the base for longer—10 minutes—to try to improve the level of incorporation. The longer cooking time didn’t seem to make much difference; there was an awful lot of leftover vegan egg when I strained the base.

There were also little clumps of offputting, slimy egginess in the base after it was made and after it was chilled, and this base didn’t take on a pudding-like texture in the fridge like my bases always do when I let them chill overnight.

However, after I processed the base in my ice cream maker and froze the finished VFD solid, the texture was good. The VFD had little specks of egg throughout, but they didn’t bother me any.

The taste was perfect—a melding of bourbon (1 tablespoon), vanilla (2 teaspoons), and freshly grated nutmeg (1 heaping teaspoon). I used bourbon instead of rum this time because I already had a small bottle on hand that I’d bought for the Easy Vegan Pecan Pie.

My next attempt, which I may or may not blog about, will probably utilize only one vegan egg, and I will cook the custard for more than 10 minutes, hoping the smaller amount of vegan egg and longer cooking time will finally do the trick. I’m looking for a better texture at the in between stages of the VFD base, because I don’t think people will trust the recipe when they start to see unpleasant eggy blobs in their base.

A Love Letter to Rioja

I’ve been meaning to write about wine here for a while now, because my favorite part of my job at Bloomberg Markets magazine was editing Elin McCoy’s Drinks column. I learned so much about wine from Elin, who is still writing about drinks, especially wine, for Bloomberg.

Today I’m going to share my love for Riojas, Spanish wines made mostly from Tempranillo that are often sold at a bargain price. Riojas are typically released when they’re at their best or almost at their best to drink, so you don’t need to have a wine cellar or huge wine fridge to enjoy them at or near their peak. Because they tend to be good values at retail, they’re also typically one of your best bets on an extensive wine list at a restaurant. If the food we’re eating calls for a red, we’ll often choose the Rioja.

Here’s wine educator Mark Oldman, in Oldman’s Guide to Outsmarting Wine, on pairing Riojas with food: “Like lighter styles of Pinot Noir and Chianti, Rioja’s lighter body and refreshing tartness make it one of the most versatile red wines for food, perfect for when your table is divided between red and white fans.”

Riojas carry one of three designations: crianza, reserva, and gran reserva. Crianzas are the least expensive. Reservas are more expensive but are likely to be of higher quality. And gran reservas are the most expensive (though rarely exorbitant) and of the highest quality; they’re made only in select years.

I’ve been buying the 2019 Herederos del Marqués de Riscal Reserva Rioja regularly at Whole Foods of late. It usually costs $22.49, but it was on sale the other day for $20.29. I also always get a 10% discount because I buy at least six bottles. (After doing a little research, I see I should be buying it from Total Wine instead.)

Tony and I get notes of vanilla and rose, with some peppery spice and a hint of citrus. This wine may not be for you if you love big, juicy fruit bombs, but it’s a steal if you enjoy elegant wines that will complement your meal.

Editing Changes I Would Make in One of the Best American Short Stories of 2023

I’m having a fine time reading The Best American Short Stories 2023, but as you can tell from the title of this piece, I’ve got some issues with one of the stories in the collection. As always, my intention in writing this kind of blog post is to point out these issues in a spirit of helpful criticism, not know-it-all-ness, and, of course, to hopefully demonstrate that I’ve got solid editing skills. And the issues I found don’t at all prevent enjoyment of the story, which is “My Brother William” by Danica Li and which initially appeared in The Iowa Review.

“We cried when we were separated at school and the other kids made fun of us for it.” I would insert a comma after “school” because “the other kids” is a new subject.

“Towards the end of my stint with the website I flew to go visit him.” Another comma issue: Different publications have different rules about when a comma is needed after an introductory phrase, but because the introductory phrase in this sentence is so long, I can’t help but think a comma is needed, not just wanted, after “website.”

“—consciousness becoming like the trillion bits in a kaleidoscope which every ten seconds was given a vigorous shake—” The “which” should be changed to “that” because it’s the beginning of a restrictive clause that is crucial to the meaning of the sentence.

“Yearly its staff racked in journalism awards and fellowship grants, book contracts, top prizes in the field, plum speaking engagements.” I believe “racked” should be changed to “raked.” I don’t see any definition of rack that makes sense in that sentence.

“… secretly I thought that it was because our life paths were diverging, mine taking me deeper into the real world, him taking him deeper into worlds of his own creation.” Just like there’s (correctly) “mine” before “me,” the first “him” should be changed to “his” because Li is referring there to William’s path, not to William himself.

My Favorite Floral Arrangements From the Past Year

As I say on my About page, I enjoy making arrangements from flowers I buy at grocery stores. I figured I’d create a blog post featuring photos of my top 10 favorite arrangements from the past year. Here they are, in reverse chronological order:

This first one, from the end of September, consists of gerbera daisies, rice flowers, and what I refer to as fuzzy green filler.

This bouquet is a blend of roses and ranunculus, aka buttercups.

This one, from July, is all mums.

Purple alliums, white mums, and orange gerberas.

This photo, from May, is currently on my About page. Here we’ve got two kinds of mums and hypericum berries.

Astrantias, two kinds of mum, and leafy green filler.

Yellow and red ranunculus, carnations, and a filler named lepidium.

This arrangement from January utilizes sunflowers, mums (again), chamomile, carnations, and a filler I believe is called solidago.

For Christmas, I combined roses, mums, and winterberry.

Finally, from last November, here are carnations, mums, and leafy green filler.

A Post in Which I Catch the Same (Small) Mistake in Two Novels

I recently re-read a wonderful comic novel by Andrew Sean Greer called Less. There’s a scene in Less in which Robert Brownburn, a lover of the title character, Arthur Less, wins the Pulitzer Prize in Poetry, so it’s a case of life imitating art that Greer won the Pulitzer Prize in Fiction in 2018 for writing Less.

I’m currently reading John Boyne’s The Absolutist, a not-at-all-comedic novel about World War I and its aftermath. In between those two books, I read Greer’s follow-up to Less, which is called Less Is Lost. I enjoyed it, but not quite as much as its predecessor.

In both Less and The Absolutist, I found the same small mistake, one I wouldn’t have bothered to write a post about except for their exactness. On page 91 of Less, the article a is missing before moment:

At the top of page 75 of The Absolutist, the same mistake appears. (There’s also a missing word, probably at, after We look.)

Isn’t that a strange coincidence?

Gluten Free & More Is Back

Like bread dough after a second proofing, Gluten Free & More has risen again as a print magazine. There’s no word on the mag’s website on how and when it emerged from its merger with Simply Gluten Free, but its return surely must have something to do with SGF founder and editor-in-chief Carol Kicinski being charged with four crimes related to the invasion of the U.S. Capitol on January 6, 2021, by supporters of Donald Trump.

According to the plea agreement regarding her case on the U.S. Department of Justice website, Kicinski pleaded guilty to one charge, “Entering and Remaining in a Restricted Building or Grounds, in violation of 18 U.S.C. § 1752(a)(1).” Kicinski signed the agreement on October 27, 2022. There was no indication on the webpage about her case of when her sentencing would take place. The page was last updated on November 10, 2022.

According to the plea agreement, she faces a maximum of one year in prison, a $100,000 fine, and supervised release of up to one year. The federal court could also require her to pay back the federal government for any costs associated with her imprisonment, term of supervised release, and period of probation, if they are part of her sentencing. She also agreed to “allow law enforcement agents to review any social media accounts operated by [her] for statements and postings in and around January 6, 2021, and conduct an interview of [her] regarding the events in and around January 6, 2021 prior to sentencing.”

Two editing-related points, because this joint is supposed to focus on editing: I don’t know how federal legal code is written, but the way the part that’s pertinent to Kicinski’s case is phrased—“knowingly enters or remains in any restricted building or grounds without lawful authority to do so”—isn’t grammatical in my eyes. You can’t remain “in … grounds.” If I had my druthers, I would make it say, “knowingly enters or remains in any restricted building or enters or remains on any restricted grounds without lawful authority to do so.”

I also think the wording should be “on and around January 6, 2021” in the plea agreement. That preposition is used for specific dates; in is used for less-exact time frames, like “in April” or “in June 1968.”